Sort by:
Step into the funkadelic planet of Aster, straight outta Sardinia, Italy. This time, he’s not just creating art, he’s building a whole planet within our own. A 64 paged zine filled with outstanding funk, sick lettering, crazy characters, dope colour combos, detailed backgrounds and a whole lot more. The first issue was great, but this one?
Even crazier. Even better. Every copy comes with a free postcard & poster.
• Every copy comes with a free postcard
• Every copy comes with a free a2 size poster (folded to a5)
• Full color offset
• 170 x 240 mm
• 64 Pages – 135 g/m²
• Cover – 250 g/m²
• Saddle – stitched
Published by U•DIG Amsterdam, specialists in working with artists from the world over to bring you obscure collections of great content that we can all dig.
What Happens When a Machine and a Graffiti Writer Collaborate?This book explores that intriguing question, as Alone HM, Alsino Skowronnek, Theodor Guelat, and Team Flight Mode embark on a bold journey into uncharted creative territory.
The result is a series of extraordinary works shaped by the interplay of human artistry and artificial intelligence: some pieces partially painted by machines, others painted onto machines—merging neural networks with railway networks.Gradient Descent captures the spirit of innovation, experimentation, and transformation.
It bridges the gap between traditional graffiti aesthetics and the digital age, preserving core principles while sometimes breaking them entirely. This is a story of redefining boundaries and pushing the limits of what graffiti can be in a modern, tech-driven world.
Format: 19 x 25 cm
Language: English
Pages: 144
Edition of 500
Authors: Alone, Alsino Skowronnek, Theodor Guelat, Team Flight Mode.
Introducing the new issue of the Stylefile Blackbook Sessions series, there is once again an update from the most diverse sketchbooks and desks in the scene. From simple studies to detailed full-pagers, whether analogue or digital, everything is included on 160 pages. For some, sketches are merely a necessity and a means to an end, while for others, they are an independent discipline in the field of graffiti. What all of them have in common, however, is that you have to deal intensively with the process of sketching in order to develop your own style. How wide the range of approaches is can be studied in this book. It provides exciting insights into the approaches of the most diverse types of writers. Insights that would remain hidden from most people even in the age of social media.
Sketches in graffiti have always existed. A white sheet of paper and a marker have been the starting point of every good style for years. In the beginning, sketches were only done with normal pens, but soon professional layout markers were part of the writer‘s basic equipment. This was then the measure of all things for decades, but in recent years, new possibilities have helped this genre take another relevant leap: With acrylic markers, it is now finally possible to work with opaque colors and no longer have to use only white paper as a background. But the leap from analogue to digital has also been made by now in the field of sketching in graffiti: Tools like Procreate have recently formed a completely new basis for a whole generation of writers to create works of art with letters. You can notice that for many writers, sketching has established itself over the years as a discipline of its own within the field of graffiti. Due to the expanded technical possibilities, the question of when a work can still be declared a sketch and where a canvas begins can no longer be answered with a clear distinction. For another part of the scene, however, sketches are still a necessity and a means to an end: to further develop one‘s own style or to have something for the next production on the wall or train. What all of them have in common, is that you have to deal intensively with the process of sketching. How wide the range of approaches is can be studied in this book. It provides exciting insights into the approaches of the most diverse types of writers. Insights that would remain hidden to most, even in the age of social media, and that we can now show to a large audience!
Line-up:
ACUT · AEMIR · ALOE · AMIR · AMIT · AMUSE126 · AROME · MR.BAKER · CHECK · CIDE · COPSA · COSMA · CROW · DATOR · DEJOE · DISKO · DOE · DREIST · DREY · EKSIT · ERPEL · FACT · FLASH · FLOR76 · FNACK · FRED · HOKUS · INKA · JEFF · JEROO · JONES · KACAO77 · KAHN · KIEs · LOCO · MAROK · MIND · MONKEY · OSBKUR87 · PAW · PLAQUE · PLAST · RAZOR · REK · RINE · ROLEX · ROLY · RTMONE · RUSTE · SATAN · SEIN12 · SEMOR · SEW · SEWER · SHAW · SLIDER · S.KAPE289 · SOFLY · SOME · SPENDA · SUNCHES · SWET · TOWN · TRES · TRUBA · TRUN · TWIK · VENTS137 · ZAILOR
27 x 16 cm, 160 pages.
• 2 colour hand screen printed on the front
• 3 colour hand screen printed on the front
• Single Jersey, 100% Cotton - Organic Ring Spun Combed
• Fabric washed 215 GSM
• Unisex relaxed fit
• Limited edition
“All Cameras Are Broken” is more than a T-shirt — it’s a visual statement.
Inspired by those actions when anonymity is part of the game and vandalism protects itself from the ever-watching eye.
A tribute to the free spirit of graffiti, where every line is an act of resistance and every broken camera, a small aesthetic victory.
We are becoming more and more aware of the negative impact we have on the environment. That's why we have decided to use sustainable fabrics to reduce the Human Footprint on the planet and ensure greater social responsibility.
- 6 color hand screen printed on the front
- Single Jersey, 100% Cotton - Organic Ring Spun Combed
- Fabric washed 180 GSM
- Medium fit
- Limited edition
•Screen printed
•Relaxed fit
•Crew neck
•Heavy weight
•220 GSM, 22-singles
•100% combed cotton
•Neck ribbing, side seamed, shoulder to shoulder tape, double needle hems
•Preshrunk to minimise shrinkage
The Butcher Shop Est 2005.
Built to last with preshrunk fabric to minimise shrinkage.
Fit: Regular Fabric: Heavy weight, 220 GSM, 22-singles, 100% combed cotton Construction: Crew neck, chest pocket, neck ribbing, side seamed, shoulder to shoulder tape, double needle hems.
The color application gets a bit plastic with the popular COVERSALL™ ink.
Perfectly suitable for calligraphy and fast working on large areas. Till today an important marker – not only for the active writer scene.
Check surface for compatibility before application.
Recently Viewed
- Choosing a selection results in a full page refresh.
- Opens in a new window.
