Tony ”Rubin” Sjöman has become a staple of the street art scene of New York City and beyond. His abstract and geometrical pieces are rooted in traditional graffiti but break the rules of the craft with its muted color palette and Scandinavianly clean lines. The art book Rubin: New York / Scandinavia brings you inside his studio, into art galleries, and takes you on a journey to the streets of New York, marked by his large scale murals.

Rubin was nine years old when he wrote his first tag. The son of Finnish immigrant workers to Sweden he was raised in the working class housing projects of Bergsjön in Gothenburg, Sweden. Surrounded by grey concrete and tram tunnels, the walls whispered his name. He grabbed a spray can and set out on a journey that he’s still on today.

“Something happens when I press the cap and draw the first line of a piece. The expectation that takes hold of me is so strong that everything else around me ceases to exist.”

Rubin draws inspiration from his gritty upbringing, the tram tunnels where he first learned the craft and from the contrasts that have formed him into the artist he is today: the skyline of the hectic metropolis versus the serenity of the Nordic nature, all perfectly balanced in his art. With raw talent and relentless hard work Rubin has created a unique aesthetic that carries the art form beyond its boundaries.

Peter Stelzig has taken on new challenges and once again delivers breathtaking photos of painted subways of the Berlin elevated railway lines U1/U2/U3. This time he is directing over long distances with the help of large telephoto lenses at new locations in Berlin, Kreuzberg and Prenzlauer Berg as well as Warschauer Straße. In addition, the viewer is provided with information on camera settings and precise maps of the image locations. The result is a stately hardcover book with very detailed, large-format illustrations. Peter Stelzig delivers another milestone with this very high-quality illustrated book and sets new viewpoints in the field of Trainspotting.

Featuring: 2ILL, BLESD, BMBS, CREME, CRUZE, ENEMY, FBOY, FUTUR2, HUSKIES, KGO, KIBEL, LION, LYPS, MOSKITO, NAWAS, PUSDER, QUATCH, SEXY, SKIN, SMAIS, STEL, SUPER, TSAK, VLOO, WATT, WERT, YARD, YOGR, and more.

• 144 pages
• Text in German and English
• DIN A4 landscape format hardcover
• 150 grams Arctic White paper
• LE-UV Offset printing
• Limited edition 600 pieces / numbered and signed
• plus extra fineart print (27x18cm) on 300gr. natural cardboard (signed)

ISBN: 978-3-9823072-3-7

Scene of Crime provides an unprecedented viewpoint on subway graffiti through images and documents produced by the Toronto Transit Commission’s security personnel.

This book unveils a hidden institutional archive filled with incident reports and evidentiary photographs, offering a rare glimpse into the intersection of graffiti, law enforcement, and bureaucracy.

Challenging conventional understandings of graf- fiti’s ephemerality, it reveals how photographs and texts extend graffiti’s lifespan while highlighting the complex dynamics between graffiti writers and the authorities who pursue them.

Featuring essays by Jamie Jelinski, Causr, Euroboi, and Liv, the book gives fresh insights into the broader implications of transit graffiti and the evidence produced by those who investigate it.

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“THE TORONTO TRANSIT COMMISSION HAVE UNKNOWINGLY JUMP STARTED A NEW GENERATION OF VANDALS BY RELEASING THESE IMAGES TO THE PUBLIC.”

Roger Gastman, curator and historian

“SCENE OF CRIME REVEALS THE UNINTENDED CONSERVATORS OF GRAFFITI, SHOWCASING A UNIQUE PERSPECTIVE ON THE PRESERVATION OF GRAFFITI ON MASS TRANSIT THROUGH THE LENS OF SURVEILLANCE AND REPORTS.”

Phil America, artist and author of Our Side of the Tracks

“A GROUNDBREAKING, RICHLY ILLUSTRATED LOOK AT GRAFFITI AND THE SYSTEMS WHICH STRUGGLE TO UNDERSTAND IT. IN THEIR EFFORTS TO DESCRIBE GRAFFITI, THE TORONTO TRANSIT COMMISSION’S ‘INCIDENT REPORTS’ COLLECTED HERE ARE LIKE ART GALLERY CATALOGUE ENTRIES FROM AN ALTERNATE WORLD.”

Will Straw, Emeritus Professor of Urban Media Studies McGill University

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• 16.54 x 11.69 inches
• 170 pages
• Full colour Hardcover
• Perfect bound Printed in Montreal
• Published by Terminal°

The first of a series of books on graffiti artist Sireps.

Sireps:PartOne is as the name suggests is the first of a series of books outlining the work over the past 25 years or more on trains. With over 100 pages, the B5 format, quality bound book is visually appealing, with many unseen photos of trains both locally and abroad. No stories, or fillers, just pure colour eye candy!

Matt Laminate Finish on 350gsm Cover 150gsm stock, full colour.

Limited print run. Part Two will be following soon after! Get in quick!

Published by PerisPress.

Real graffiti sketches created by some of the world’s most famous artists and true style kings.

Printed on extra thick paper that works great with markers, pens, or coloured pencils - only your imagination sets the limits.

Colouring is a perfect way to practice your skills, relax, or just have fun and kill some time.

For more inspiration - or to share your finished pieces - follow @SketchyGraffiti on Instagram, tag us, or send us your creations! Featuring Artists: Moms, Panone, Richie, Fleks, Funk25, NeyeC, Dek Suave, Slider, Abyss, Okone, Baby Babi, Pakooner, Ace, Alphe, Aster, Kear, Elfy, Irene Fresh, Judit, Gover, Jakob Der Bruder, Koo, Laia, Max Solca, Momo, Hefs, Ruka, Yubia, Shore, Azit, Tre, Shuen, Secret, Tony Tres, Vents137, Serio, Egs, Bob59, Opel, 9Tendo, Sobekcis, Berock, Loco, Crow.

139, Smec, Mega, Romeo, Perm & Giose.

Format: A4 Portrait Pages: 48 Language: English Released: 2025 by Spray Daily

Graffiti sketchbook with 60 different spots to paint on – from brick walls to trucks, subways, billboards, and more. Paint quick throw-ups on a truck, a top-to-bottom silver on the Berlin subway, or a colorful burner at a subway station. Unleash your imagination and paint your favourite spots.

The book is printed on thick 200 gsm silk paper, perfect for acrylic-based markers such as Posca or Molotow One4All. It comes in a landscape A5 format with a softbound stitched spine that opens flat. A perfect sketchbook at a really great price.

All images are photographed by the team behind Sketchy Graffiti (no stock photos or AI-generated images). For extra inspiration, follow @sketchygraffiti on Instagram.

Format: Landscape A5, Softcover
Language: No text
Publisher: Spray Daily / Sketchy Graffiti

Martha Cooper has spent decades immortalising art that is often overlooked, and usually illegal. Her first book, 1984’s Subway Art is affectionately referred to by graffiti artists as the »bible«. To create Spray Nation, Cooper and editor Roger Gastman pored through hundreds of thousands of 35mm Kodachrome slides, painstakingly selecting and digitising them. They are accompanied by heartfelt essays celebrating Cooper’s drive, spirit, and singular vision.

The images capture a gritty New York era that is gone forever. And although the original pieces have been lost, these resplendent photos feel as immediate and powerful as a subway train thundering down the tracks.

Graffiti is a form of free expression of human. Modern graffiti came into being and peaked during the second half of the 20th century, with youngster establishing their identities in the streets and artists who yearned to convey their opinions concerning social and political matters.

This book starts with the history and culture of subway graffiti, the most well-known style of graffiti. Parallel with the subway graffiti, stencil graffiti, one of the most authentic form of street art will be introduced. The third chapter will pay attention to the wheatpaste graffiti which is a variant of commercial advertisement. After introducing three most important forms of graffiti, the creation process and techniques will be presented to show the readers how the actual scene of creation is for graffiti artists. Last but not least, the fifth chapter showcases a large number of graffiti works of various styles.

224 Pages, Hard Cover, 20.4 x 27.4 cm