Partners and Associates Volume 1 is dedicated to the love of bombing and to the numerous people that I’ve been fortunate enough to paint with over the years. By no means is this a comprehensive list, just a partial roll call with the idea of creating a volume two. These largely unseen photos from my collection document just a slice of countless missions that span from 1986 to present.

AI
Air
Ajoe
Alert
Amaze

B3
Both

Chino
Cost
Creo
Cro
CS
Curve

Dash RIP
Dead
Dek
Diego127
Does
Dmote
DS

Ebizm
EGS
Eros
Faes
FC3
Fres

Gorey
Grey

Haze
Horfe
Host18
Hush

Ichabod
Image

Jaek The Diablo
Jick
Kaves
Kemos
Keylo
Kuma
Kwest

Lead
Luze

Mega RIP
Mone
Noah
Noe

OD
Pez
Post
Pref

Queen Andrea

Rebel
Remio
Revs
Rote
Rich
Rime
Ryze

Saint
Scar
Set
Serk
Siar
Sir
Sly
Snoman
Soe RIP
Solo Artist

Teo
Tomek
Trim
Twist

Virus

Whisper
Wombat

Xsoup

Zephyr
ZU/Saes

• Full color offset
• 170 x 240 mm
• 64 Pages – 135 g/m²
• Cover – 250 g/m²
• Saddle – stitched

Published by U•DIG Amsterdam, specialists in working with artists from the world over to bring you obscure collections of great content that we can all dig.

Grid Scenario Vol. 1, a magazine in collaboration with writer Heste.

Filled with over 250 flicks showcasing an incredible range of styles, burners, straight letters, freights, tags, and more. Heste brings a sharp eye for wild color combos and standout spots, making every page a visual hit. This mag is all about style, front to back, and it’s one that deserves a closer look.

Each copy comes with a free postcard.

• Full color offset
• 170 x 240 mm
• 64 Pages – 135 g/m²
• Cover – 250 g/m²
• Saddle – stitched

 Published by U•DIG Amsterdam, specialists in working with artists from the world over to bring you obscure collections of great content that we can all dig.

A magazine featuring Staten Island writer Lawe/Sub5, packed with stunning visuals spanning from the early ’80s to today.
Inside, you’ll find stylish sketches, walls, trains, atmospheric shots, and more much of it rare or previously unseen,
all curated with a sharp eye for style. Each copy includes a large A2-size poster.

• Free A2 Poster with every copy (folded)
• Full color offset
• 170 x 240 mm
• 64 Pages – 135 g/m²
• Cover – 250 g/m²
• Saddle – stitched

Step into the funkadelic planet of Aster, straight outta Sardinia, Italy. This time, he’s not just creating art, he’s building a whole planet within our own. A 64 paged zine filled with outstanding funk, sick lettering, crazy characters, dope colour combos, detailed backgrounds and a whole lot more. The first issue was great, but this one?

Even crazier. Even better. Every copy comes with a free postcard & poster.

• Every copy comes with a free postcard
• Every copy comes with a free a2 size poster (folded to a5)
• Full color offset
• 170 x 240 mm
• 64 Pages – 135 g/m²
• Cover – 250 g/m²
• Saddle – stitched

Published by U•DIG Amsterdam, specialists in working with artists from the world over to bring you obscure collections of great content that we can all dig.

Get the Met: ‘How we Met’ Second Edition

An expanded and revised edition from the First.

Four Letter Press presents a sequel to the Australian design cult-classic publication, Get the Met, ‘How we Met’ Second Edition. Following on from the continued success of the first edition released in 2020, we gladly present to you a 300 page hardcover publication with four times the amount of content from the first edition. The chapters in the book include Early Periods of Melbourne Rail History, Brochures and Printed Material, train ticketing, the train models, railway branding and additional chapters such as staff uniforms and signage.

The book contains 100’s of exclusive images, some never seen by the public, now readily available for your viewing and book collection needs. Beginning the book off with classic black and white photographs of Flinders Street pre-electrification, textured film photos from ex-workshop staff member and private collector, Simon McArdle, a mix of film and crisp digital photos from a private collection of Chris McGregor and additional photographers noted from the previous edition.

The Second Edition has grown, now a generous 300mm x 300mm book size which is as big as a vinyl record cover! With a mind-blowing 300 page hardcover feature, this book is definitely going down in the ages.

The Second Edition aims to shed more light on the early periods of Melbourne rail, organisational and operational information about ‘The Met’ and revised details about the train model design descriptions. The author, Jourdan Sungkar, has spent 5 years since the first edition, researching Melbourne rail through hundreds of rail issued publications and reading material that has resulted in the culmination of this newly minted Second Edition, in what may be a life-long series of Melbourne rail history.

No book has covered such an extensive visual history of Melbourne rail. It will surely go up in price so think of it as an investment as well.

Book specifications:

300 x 300mm pages
300 page hardcover
Shrink wrapped with sticker
Comes with famous Get the Met sticker and ticket pack.

WHITEBOOK 01 – IT'S A CIRCLE by Mark Grokenberger

New York City is the birthplace of graffiti—and especially of train writing. Since the mid-1980s, writers from all over the world have been making pilgrimages to this mecca, and many of them have attempted to paint the legendary subway—just as their role models have done since the 1970s. The first volume of the WHITEBOOK series IT'S A CIRCLE documents several trips to the Big Apple by German writer and photographer Mark Grokenberger between 2019 and 2024.
"Mark Grokenberger's original intention was simply to explore New York City, following in the footsteps of graffiti legends like LEE, DONDI, and SEEN. He wanted to experience the olfactory atmosphere of the venerable tunnels, create a piece in places where numerous milestones were created—and capture a touch of the old New York, which has largely disappeared today."
— René Kästner

The 224-page hardcover volume chronologically tells the story of writer friends who initially just want to check off the subway for a moment – ​​only to discover that the city has much more to offer for ambitious train writers. With each trip to NYC, their adventures become more professional – ultimately leading to well-thought-out end-to-ends, colorful wholecars, and even entire wholetrains. Their experiences are divided into six chapters and are accompanied by reflective texts and stories about selected adventures.

"It's more craftsmanship than graffiti art, but that's exactly what we wanted to be our trademark. Megalomaniac kids from Europe reaching for the stars in the USA. Simple, but true. [...] Painting so many large pieces was never our plan—rather, it's the result of a growing affection for the city and its subway system."
IT'S A CIRCLE is a five-year journey with impressive photographs—not only of tunnel action, yards, in traffic, and from a drone, but also of authentic New York in atmospheric street and subway photographs. Participating artists include SEKO, BQEM, YUSUF, TUKI, IRAK, EYSIR, ORG, IOC, MOPS, and many more.

"But sometimes things demand to be seen. Sometimes I have to go out and share. This is one of those moments. These are the memories, snippets, and stories of some of my best adventures – shared with incredible friends."
The first volume in the WHITEBOOK series opens with a foreword by series founder René Kästner. It is available as a signed limited edition of 250 copies, including two prints and a postcard, and as a regular edition consisting of the book alone.

ISBN: 978-3-9825457-2-1
20 x 30 cm, Hardcover, 224 pages
Paper: Book cover 135 g/m² wood-free white matt coated art print

Martha Cooper has spent decades immortalising art that is often overlooked, and usually illegal. Her first book, 1984’s Subway Art is affectionately referred to by graffiti artists as the »bible«. To create Spray Nation, Cooper and editor Roger Gastman pored through hundreds of thousands of 35mm Kodachrome slides, painstakingly selecting and digitising them. They are accompanied by heartfelt essays celebrating Cooper’s drive, spirit, and singular vision.

The images capture a gritty New York era that is gone forever. And although the original pieces have been lost, these resplendent photos feel as immediate and powerful as a subway train thundering down the tracks.

Wild, free and ephemeral - street art and graffiti are a worldwide phenomenon. From Brassaï, who led graffiti into mainstream art around 1960, via the Sprayer of Zurich in the 1970s to the first Banksy works in the UK - Illegal tells a prehistory of street art and graffiti.

Hardly any of the works of this short-lived genre still exist today. They were also often documented illegally and under adverse conditions. Illustrated here are key works and rarities that have never been shown. All were created illegally, i.e. without permission, directly for an audience on the street - not for museum contexts. "People say graffiti is ugly, irresponsible and childish. But that's only if it's done properly" [Banksy]. Long-standing picture research has condensed a selection of works by some 100 artists from over a dozen countries and their references to pop music, avant-garde art and literature. We discuss why these artists in particular were significant trendsetters for street art and graffiti before Banksy.

• 300 Pages
• Softcover