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The complete DIY bible of street art is back in print by popular demand.
A rich source of inspiration for anyone interested in do-it-yourself culture. The Street Art Cookbook is a guide to the
materials and techniques used within today's most creative and progressive art movement. In hundreds of pictures and
illustrations and a dozen of interviews with some of the world's most famous artists, the authors show how street art is made.
From stencils and stickers to laser tagging and guerrilla gardening, Street Art Cookbook takes us on a trip around the
world in the search of the tricks and trades of street artists.
Posters, stickers, screen print, mosaic, sculptures. There is no limit to their imagination. Hundreds of books filled with
pictures of street art have been published in the last few years, but this is the one that shows how the artists work. Learn
from the best: Street Art Cookbook is filled with tips and examples of how to create your own stencil, sticker, poster or
installation.
These techniques can be used on all kinds of materials: textiles, glass, metal, concrete or wood and is suitable for
everything from scrapbooking and designing clothes with motifs to home decoration and outdoor use.
The Street Art Cookbook gives a unique insight into the alternative art world and it's a rich source of inspiration for anyone
interested in DIY-culture. Mark Jenkins, Swoon, Gould, WK Interact, Caper, Victor Marx, C215, Poch, Ron English and Knitta
Please, are some of the artists featured in this book.
ISBN 9789188369888, Paperback, 136 pages, 15 x 21 cm.
This is a replica of Akay’s first blackbook. The production of the original began in the autumn of 1986, when 16-year-old Akay glued a spray paint color sample chart onto the first page of an unassuming, standard-sized sketchbook. Through his nightly additions of sketches and photographs and newspaper clippings until the spring of 1990, the personal document of a prolific graffiti writer became this unintentional chronicle of an era of Stockholm graffiti.
There’s a brief gap in Akay’s meticulous record-keeping from just before Christmas of 1988 when his dad confiscated his original blackbook and locked it inside a bank safety deposit box. His dad threatened to throw it in the fire if Akay didn’t stop painting graffiti. A few weeks after the blackbook was taken hostage, two policemen showed up at Akay’s dad’s house with a search warrant. Akay and Weird were told to wait in the kitchen while the police searched Akay’s basement bedroom looking for evidence to build their case against him—things like photos or sketches, or even better, all that evidence conveniently glued into a book along with the dates and locations written next to the pieces. But thanks to his dad’s failed attempts at parental extortion (and no thanks to his dad’s wife who kept offering the cops coffee and refreshments), the police didn’t find anything incriminating. The only slightly suspicious thing the police could find was an artfully arranged display of 280 colorful spray cans, Akay’s most prized possession at the time—second only to the imprisoned blackbook—that brightened up his windowless room.
Now, over 30 years later, long after the contents can be used as evidence in any prosecutable crimes or for manipulative parenting tactics, the blackbook from Akay’s teenage years has been reproduced and made available for the first time. This is the second edition.
Fold outs come in a package with instructions on how to glue them in.
Measures: 34 x 25cm
Cover: Hardcover
Pages: 154
The 031 For The People Book is a real eye-opener: With around 700 photos on over 500 pages, the book highlights the work of the 031 crew from Bern from 2010 to 2020.
As a global player, the writers travel far beyond the borders of Europe to Buenos Aires, Caracas, New York and Mexico City. And since pictures are worth a thousand words, the volume does without accompanying texts and concentrates on the essentials - which includes a bonus chapter with 32 pages from the early days of the crew from 2005 to 2009. Nice!
21 cm x 29 cm, 528 pages.
RAZOR is and remains an exceptional phenomenon when it comes to graffiti on trains – worldwide and across all generations! For more than 30 years now, he has been playing his colourful game – mainly in the yards of his home in northern Germany, but trips across the nation and Europe have also been documented in this book.
In every phase of his busy career, he has managed to stand out from the great mass of writers and to constantly raise the bar in terms of quality. The output of his first two decades was still to be found in classic stylewriting, but in recent years he has expanded his repertoire to include conceptual works such as his ICE project. RAZOR - COLORS ON STEEL is structured like a blackbook and has a very personal character. He himself opens the book with the following words:
“Let’s start a blackbook session! Take your time, sit back and enjoy. I’ll show you my blackbook with my works from back in the days when it all began in 1990. It all started first at the end of the 1980s when I was infected by a virus called graffiti. From that point on I did graffiti wherever I wanted to and whenever I wanted to. I’ll show you my photos and I will tell you lots of stories, some crazy, some funny and with all those little details and in the same manner, like I would tell them to my friends.”
Hardcover, 196 Pages
Comics first reached a mass public in the early 20th century. After various moral panics during the mid of the century the picture-and-text-stories have become increasingly popular all around the world.
Draw Your Own Comic Book! is full of blank squares and speech bubbles of different sizes, waiting for you to release your imagination and create your own fun and exciting stories.
Draw and colour your squares to give your stories life. You can fill the hundred pages with one long, continuous series or many short action-packed strips.
This is the perfect source of inspiration for creative children and young people with their heads full of ideas. Draw Your Own Comic Book! makes it easy to understand the backbone of every comic, i.e. the frames that give room for the pictures. The colouring book i suitable for every age, as you fill the frames with your own drawings.
For every easy-bored youngster it’s a perfect tool to carry along and turn waiting time into creative time.
For every anxious adult that looks for a good gift, the search is over.
What are you waiting for? Get your markers and create your own cartoon!
The book is designed by Martin Berdahl Aamundsen.
Paperback, 100 pages. 14 x 14 cm.
The Russian Criminal Tattoo Archive presents highlights from FUEL’s singular collection of authentic material on this subject. Previously unpublished in its original form, this work comprises ink on paper drawings by Danzig Baldaev, the photographic albums of Arkady Bronnikov and prisoner portraits by Sergei Vasiliev. The selection is contextualised with insights from Mark Vincent PhD (author and academic specialising in the Soviet Gulag) and Alison Nordström (photography scholar, writer and curator).
The meticulous depictions of tattoos by prison guard Danzig Baldaev are reproduced in facsimile, authenticated by his signature and stamp, alongside his handwritten notes on the reverse. The paper has yellowed with age, giving the exquisite drawings a visceral temporality – almost like skin.
Sergei Vasiliev’s photographs portray inmates in startling intimacy. He achieves a remarkable level of trust within the closed criminal society, a strict hierarchy, where outsiders are viewed with hostile suspicion.
Arkady Bronnikov’s collection of photographs are shown in the albums in which they were collected. Used exclusively to aid police in their investigations, they depict a motley line-up of assorted body parts.
This unique book is the only publication of primary material on this subject, highlighting the pioneering methods of these three individuals used to document this unique phenomenon.
256 Pages, Hardcover, 20.8 x 27.3 cm
A wave of protest is in the air and on the walls! A new generation of politicized artists, designers and communicators the world over are using stencil art as an accessible yet powerful means of giving voice to their ideas. The Stencil Graffiti Handbook sees Tristan Manco back on the streets. Through an incomparable network of street-art contacts, gained through over two decades of immersion in the scene, Manco has scoured the globe to find the most interesting street artists working today – those operating outside of the mainstream market of ‘Urban Art’ and beneath the radar of everyone but the true cognoscenti.
Exploring the medium’s applications within grassroots activism as well as the contemporary craft scene, Manco brings this thriving artform to light. Showing both process and results, The Stencil Graffiti Handbook dives into street art’s essential elements – place, space, technique and subject – before taking to the streets to see how, where and why stencil graffiti is king. Also featuring studio visits with artists and practical, step-by-step guidance via artist-led projects, with specially commissioned instructional illustrations by the renowned Colombian collective Instituto Bogotano de Corte, The Stencil Graffiti Handbook is an unmissable education and inspiration for anyone with an open mind and a rebellious spirit.
288 Pages, Paperback, 18 x 23.2 cm
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