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This is a replica of Akay’s first blackbook. The production of the original began in the autumn of 1986, when 16-year-old Akay glued a spray paint color sample chart onto the first page of an unassuming, standard-sized sketchbook. Through his nightly additions of sketches and photographs and newspaper clippings until the spring of 1990, the personal document of a prolific graffiti writer became this unintentional chronicle of an era of Stockholm graffiti.
There’s a brief gap in Akay’s meticulous record-keeping from just before Christmas of 1988 when his dad confiscated his original blackbook and locked it inside a bank safety deposit box. His dad threatened to throw it in the fire if Akay didn’t stop painting graffiti. A few weeks after the blackbook was taken hostage, two policemen showed up at Akay’s dad’s house with a search warrant. Akay and Weird were told to wait in the kitchen while the police searched Akay’s basement bedroom looking for evidence to build their case against him—things like photos or sketches, or even better, all that evidence conveniently glued into a book along with the dates and locations written next to the pieces. But thanks to his dad’s failed attempts at parental extortion (and no thanks to his dad’s wife who kept offering the cops coffee and refreshments), the police didn’t find anything incriminating. The only slightly suspicious thing the police could find was an artfully arranged display of 280 colorful spray cans, Akay’s most prized possession at the time—second only to the imprisoned blackbook—that brightened up his windowless room.
Now, over 30 years later, long after the contents can be used as evidence in any prosecutable crimes or for manipulative parenting tactics, the blackbook from Akay’s teenage years has been reproduced and made available for the first time. This is the second edition.
Fold outs come in a package with instructions on how to glue them in.
Measures: 34 x 25cm
Cover: Hardcover
Pages: 154
The 031 For The People Book is a real eye-opener: With around 700 photos on over 500 pages, the book highlights the work of the 031 crew from Bern from 2010 to 2020.
As a global player, the writers travel far beyond the borders of Europe to Buenos Aires, Caracas, New York and Mexico City. And since pictures are worth a thousand words, the volume does without accompanying texts and concentrates on the essentials - which includes a bonus chapter with 32 pages from the early days of the crew from 2005 to 2009. Nice!
21 cm x 29 cm, 528 pages.
RAZOR is and remains an exceptional phenomenon when it comes to graffiti on trains – worldwide and across all generations! For more than 30 years now, he has been playing his colourful game – mainly in the yards of his home in northern Germany, but trips across the nation and Europe have also been documented in this book.
In every phase of his busy career, he has managed to stand out from the great mass of writers and to constantly raise the bar in terms of quality. The output of his first two decades was still to be found in classic stylewriting, but in recent years he has expanded his repertoire to include conceptual works such as his ICE project. RAZOR - COLORS ON STEEL is structured like a blackbook and has a very personal character. He himself opens the book with the following words:
“Let’s start a blackbook session! Take your time, sit back and enjoy. I’ll show you my blackbook with my works from back in the days when it all began in 1990. It all started first at the end of the 1980s when I was infected by a virus called graffiti. From that point on I did graffiti wherever I wanted to and whenever I wanted to. I’ll show you my photos and I will tell you lots of stories, some crazy, some funny and with all those little details and in the same manner, like I would tell them to my friends.”
Hardcover, 196 Pages
Graffiti is a form of free expression of human. Modern graffiti came into being and peaked during the second half of the 20th century, with youngster establishing their identities in the streets and artists who yearned to convey their opinions concerning social and political matters.
This book starts with the history and culture of subway graffiti, the most well-known style of graffiti. Parallel with the subway graffiti, stencil graffiti, one of the most authentic form of street art will be introduced. The third chapter will pay attention to the wheatpaste graffiti which is a variant of commercial advertisement. After introducing three most important forms of graffiti, the creation process and techniques will be presented to show the readers how the actual scene of creation is for graffiti artists. Last but not least, the fifth chapter showcases a large number of graffiti works of various styles.
224 Pages, Hard Cover, 20.4 x 27.4 cm
In 1984, the groundbreaking Subway Art brought graffiti to the world. 30 years on, the bible of the street-art movement is back and better than ever.
• With over 70 fresh photographs not included in the original edition.
• In new introductions Martha Cooper and Henry Chalfant recall how they gained entry to the New York City graffiti community in the 1970s and 1980s.
• New afterwords continue the story from the decline of the subway graffiti scene in the late 1980s to its unexpected rebirth as a global art movement.
• The authors bring us up to date on how the lives of the original subway artists have unfolded, and mourn the loss of several writers to the darker forces of the street.
128 pages, softcover, 23.5 x 33.5 cm
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