Sort by:
Introducing the new issue of the Stylefile Blackbook Sessions series, there is once again an update from the most diverse sketchbooks and desks in the scene. From simple studies to detailed full-pagers, whether analogue or digital, everything is included on 160 pages. For some, sketches are merely a necessity and a means to an end, while for others, they are an independent discipline in the field of graffiti. What all of them have in common, however, is that you have to deal intensively with the process of sketching in order to develop your own style. How wide the range of approaches is can be studied in this book. It provides exciting insights into the approaches of the most diverse types of writers. Insights that would remain hidden from most people even in the age of social media.
Sketches in graffiti have always existed. A white sheet of paper and a marker have been the starting point of every good style for years. In the beginning, sketches were only done with normal pens, but soon professional layout markers were part of the writer‘s basic equipment. This was then the measure of all things for decades, but in recent years, new possibilities have helped this genre take another relevant leap: With acrylic markers, it is now finally possible to work with opaque colors and no longer have to use only white paper as a background. But the leap from analogue to digital has also been made by now in the field of sketching in graffiti: Tools like Procreate have recently formed a completely new basis for a whole generation of writers to create works of art with letters. You can notice that for many writers, sketching has established itself over the years as a discipline of its own within the field of graffiti. Due to the expanded technical possibilities, the question of when a work can still be declared a sketch and where a canvas begins can no longer be answered with a clear distinction. For another part of the scene, however, sketches are still a necessity and a means to an end: to further develop one‘s own style or to have something for the next production on the wall or train. What all of them have in common, is that you have to deal intensively with the process of sketching. How wide the range of approaches is can be studied in this book. It provides exciting insights into the approaches of the most diverse types of writers. Insights that would remain hidden to most, even in the age of social media, and that we can now show to a large audience!
Line-up:
ACUT · AEMIR · ALOE · AMIR · AMIT · AMUSE126 · AROME · MR.BAKER · CHECK · CIDE · COPSA · COSMA · CROW · DATOR · DEJOE · DISKO · DOE · DREIST · DREY · EKSIT · ERPEL · FACT · FLASH · FLOR76 · FNACK · FRED · HOKUS · INKA · JEFF · JEROO · JONES · KACAO77 · KAHN · KIEs · LOCO · MAROK · MIND · MONKEY · OSBKUR87 · PAW · PLAQUE · PLAST · RAZOR · REK · RINE · ROLEX · ROLY · RTMONE · RUSTE · SATAN · SEIN12 · SEMOR · SEW · SEWER · SHAW · SLIDER · S.KAPE289 · SOFLY · SOME · SPENDA · SUNCHES · SWET · TOWN · TRES · TRUBA · TRUN · TWIK · VENTS137 · ZAILOR
27 x 16 cm, 160 pages.
The MTN Basic essential t-shirts are suitable for wearing while painting, playing sports or simply for using on a daily basis. They don't have much ornamentation or message in their designs, but they do boast one of the most iconic logos from within the world of graffiti.
Now coming with an updated design!
Robust metal rack holds 36 spray cans. Fits most 400ml cans including brands: Molotow Premium, Molotow Coversall, Flame, MTN 94, MTN Hardcore, Loop, Montana Gold, Montana Black, Ironlak and more.
Dimensions: approx. 45.5 x 49.0 x 13.5 cm
Colour: Black
For safety and stability reasons, we recommend mounting on a load-bearing wall.
Can't decide? Let us make a selection for you. This 12 can mixed colour carton will get you started.
Selection may vary from image depending on availability.
FLAME™ Blue Colour Range
• 114 standard colours (inc 3 metallics)
• 4 Neon Fluorescent Colours
• 2 Transparent Colours
Pressure: Low
Finish: Matte (except metallics)
Nozzle: Male
Can Size: 400ml
Metallic Style: The 3 metallic colours in this range are not suitable for handling. They will tarnish and can not be varnished. This makes them extra shiny/chrome effect when sprayed, but they are for decorative purposes only and will become less shiny and tarnish over time.
Can't decide? Let us make a selection for you. This 12 can mixed colour carton will get you started.
Selection may vary from image depending on availability.
FLAME™ Blue Colour Range
• 114 standard colours (inc 3 metallics)
• 4 Neon Fluorescent Colours
• 2 Transparent Colours
Pressure: Low
Finish: Matte (except metallics)
Nozzle: Male
Can Size: 400ml
Metallic Style: The 3 metallic colours in this range are not suitable for handling. They will tarnish and can not be varnished. This makes them extra shiny/chrome effect when sprayed, but they are for decorative purposes only and will become less shiny and tarnish over time.
Can't decide? Let us make a selection for you. This 12 can mixed colour carton will get you started.
Selection may vary from image depending on availability.
FLAME™ Blue Colour Range
• 114 standard colours (inc 3 metallics)
• 4 Neon Fluorescent Colours
• 2 Transparent Colours
Pressure: Low
Finish: Matte (except metallics)
Nozzle: Male
Can Size: 400ml
Metallic Style: The 3 metallic colours in this range are not suitable for handling. They will tarnish and can not be varnished. This makes them extra shiny/chrome effect when sprayed, but they are for decorative purposes only and will become less shiny and tarnish over time.
Step into the funkadelic planet of Aster, straight outta Sardinia, Italy. This time, he’s not just creating art, he’s building a whole planet within our own. A 64 paged zine filled with outstanding funk, sick lettering, crazy characters, dope colour combos, detailed backgrounds and a whole lot more. The first issue was great, but this one?
Even crazier. Even better. Every copy comes with a free postcard & poster.
• Every copy comes with a free postcard
• Every copy comes with a free a2 size poster (folded to a5)
• Full color offset
• 170 x 240 mm
• 64 Pages – 135 g/m²
• Cover – 250 g/m²
• Saddle – stitched
Published by U•DIG Amsterdam, specialists in working with artists from the world over to bring you obscure collections of great content that we can all dig.
What Happens When a Machine and a Graffiti Writer Collaborate?This book explores that intriguing question, as Alone HM, Alsino Skowronnek, Theodor Guelat, and Team Flight Mode embark on a bold journey into uncharted creative territory.
The result is a series of extraordinary works shaped by the interplay of human artistry and artificial intelligence: some pieces partially painted by machines, others painted onto machines—merging neural networks with railway networks.Gradient Descent captures the spirit of innovation, experimentation, and transformation.
It bridges the gap between traditional graffiti aesthetics and the digital age, preserving core principles while sometimes breaking them entirely. This is a story of redefining boundaries and pushing the limits of what graffiti can be in a modern, tech-driven world.
Format: 19 x 25 cm
Language: English
Pages: 144
Edition of 500
Authors: Alone, Alsino Skowronnek, Theodor Guelat, Team Flight Mode.
Recently Viewed
- Choosing a selection results in a full page refresh.
- Opens in a new window.
