RAZOR is and remains an exceptional phenomenon when it comes to graffiti on trains – worldwide and across all generations! For more than 30 years now, he has been playing his colourful game – mainly in the yards of his home in northern Germany, but trips across the nation and Europe have also been documented in this book.

In every phase of his busy career, he has managed to stand out from the great mass of writers and to constantly raise the bar in terms of quality. The output of his first two decades was still to be found in classic stylewriting, but in recent years he has expanded his repertoire to include conceptual works such as his ICE project. RAZOR - COLORS ON STEEL is structured like a blackbook and has a very personal character. He himself opens the book with the following words:

“Let’s start a blackbook session! Take your time, sit back and enjoy. I’ll show you my blackbook with my works from back in the days when it all began in 1990. It all started first at the end of the 1980s when I was infected by a virus called graffiti. From that point on I did graffiti wherever I wanted to and whenever I wanted to. I’ll show you my photos and I will tell you lots of stories, some crazy, some funny and with all those little details and in the same manner, like I would tell them to my friends.”

Hardcover, 196 Pages

Comics first reached a mass public in the early 20th century. After various moral panics during the mid of the century the picture-and-text-stories have become increasingly popular all around the world.

Draw Your Own Comic Book! is full of blank squares and speech bubbles of different sizes, waiting for you to release your imagination and create your own fun and exciting stories.

Draw and colour your squares to give your stories life. You can fill the hundred pages with one long, continuous series or many short action-packed strips.

This is the perfect source of inspiration for creative children and young people with their heads full of ideas. Draw Your Own Comic Book! makes it easy to understand the backbone of every comic, i.e. the frames that give room for the pictures. The colouring book i suitable for every age, as you fill the frames with your own drawings.

For every easy-bored youngster it’s a perfect tool to carry along and turn waiting time into creative time.

For every anxious adult that looks for a good gift, the search is over.

What are you waiting for? Get your markers and create your own cartoon!

The book is designed by Martin Berdahl Aamundsen.

Paperback, 100 pages. 14 x 14 cm.

The Russian Criminal Tattoo Archive presents highlights from FUEL’s singular collection of authentic material on this subject. Previously unpublished in its original form, this work comprises ink on paper drawings by Danzig Baldaev, the photographic albums of Arkady Bronnikov and prisoner portraits by Sergei Vasiliev. The selection is contextualised with insights from Mark Vincent PhD (author and academic specialising in the Soviet Gulag) and Alison Nordström (photography scholar, writer and curator).

The meticulous depictions of tattoos by prison guard Danzig Baldaev are reproduced in facsimile, authenticated by his signature and stamp, alongside his handwritten notes on the reverse. The paper has yellowed with age, giving the exquisite drawings a visceral temporality – almost like skin.

Sergei Vasiliev’s photographs portray inmates in startling intimacy. He achieves a remarkable level of trust within the closed criminal society, a strict hierarchy, where outsiders are viewed with hostile suspicion.

Arkady Bronnikov’s collection of photographs are shown in the albums in which they were collected. Used exclusively to aid police in their investigations, they depict a motley line-up of assorted body parts.

This unique book is the only publication of primary material on this subject, highlighting the pioneering methods of these three individuals used to document this unique phenomenon.

256 Pages, Hardcover, 20.8 x 27.3 cm

A wave of protest is in the air and on the walls! A new generation of politicized artists, designers and communicators the world over are using stencil art as an accessible yet powerful means of giving voice to their ideas. The Stencil Graffiti Handbook sees Tristan Manco back on the streets. Through an incomparable network of street-art contacts, gained through over two decades of immersion in the scene, Manco has scoured the globe to find the most interesting street artists working today – those operating outside of the mainstream market of ‘Urban Art’ and beneath the radar of everyone but the true cognoscenti.

Exploring the medium’s applications within grassroots activism as well as the contemporary craft scene, Manco brings this thriving artform to light. Showing both process and results, The Stencil Graffiti Handbook dives into street art’s essential elements – place, space, technique and subject – before taking to the streets to see how, where and why stencil graffiti is king. Also featuring studio visits with artists and practical, step-by-step guidance via artist-led projects, with specially commissioned instructional illustrations by the renowned Colombian collective Instituto Bogotano de Corte, The Stencil Graffiti Handbook is an unmissable education and inspiration for anyone with an open mind and a rebellious spirit.

288 Pages, Paperback, 18 x 23.2 cm

Custom Lettering of the 20s and 30s is a celebration of the stunning and stylistically varied headline lettering that existed before the advent of phototypesetting or the computer. This unique publication collects over 4,500 examples of custom lettering from the heyday of Art Deco and the experimental modernity of the Futurists – from geometric sans, elegant brush scripts, and heavy industrial serifs to hand-drawn eccentricities and outré display type. A cornerstone of any type-lovers library. 22.5 x 22.5 cm, 576 Pages. About the Author Rian Hughes is an award-winning graphic designer, illustrator, comic artist, author, and typographer. From his studio, Device, he has produced watches for Swatch, Hawaiian shirts, logo designs for Batman and Spiderman, and an iconoclastic revamp of comic hero Dan Dare. A retrospective monograph of his work, Art, Commercial, was published in 2002. Rian's recent books include Culture: Ideas Can be Dangerous and Lifestyle Illustration of the 60s, and his comic strips have been collected in Yesterday's Tomorrows. Leslie Cabarga is the author of more than two dozen books on design, including Logo, Font & Lettering Bible.

Graffiti Coloring Book Volume 2 — Characters

Characters are the most popular and easily accessible side of graffiti. They are the figures that stand beside the writer’s name and attract attention to it. They are brought to the fore in Graffiti Coloring Book 2: Characters.

The book features themes by the world’s foremost graffiti writers. Well-built b-boys and b-girls with spray cans, boom boxes and attitude, comic figures with cartoon features and realistic portraits. All are waiting to be rendered in glorious color. In graffiti culture, the black-and-white drawing serves both as a model for a graffiti piece and as a work of art in its own right. Similarly, this book is both a toy and an art history document.

With characters from world famous graffiti writers like: T-Kid TNB (New York), Tack FBA (New York), Part One TDS (New York), Wane COD (New York), Ezo TDS (New York), Zimad TD4 (New York), Too Fly (New York), Nic 707 OTB (New York), Revolt RTW (New York)

Writing the same name for over 25 years seems to lead into two possible scenarios: writers achieve a kind of individual peak of style and piecing, which is now constantly repeated with minor changes. Or the second, and by far more rare occurring one: writers who continuously work on their never-changing letters, facing the challenge to let their name look new, surprising and vivid with every latest piece.

In NEVER BE LATE, prime example of the latter category ROGER, presents a selection of 55 pieces from 2006 till today. Full colour panels in Vienna and hall of fame burners in Berlin, abandoned industrial black-and-white pieces and S-Bahn candy coloured quicks or dirty subways combined with perfect traffic shots in bright sunlight: these opposing couples hint the variety of surfaces he uses while at the same time each double page demonstrates the artist’s sheer endless ways of reshaping his name.

The remaining pages show hundreds of name and crew sketchings. Unlike other publications of the last years in which sketches are presented as perfect drafts for later pieces, you can follow ROGER working on ideas which sometimes need several attempts to become final outlines. While the pieces, as painted in public space, are intended to reach a broad audience of spectators, having access to these authentic sketches feels like a clandestine look into an intimate diary of style.

Analyzing ROGER’s scribbles you will find yourself checking the books’ first half again and again for possible executions of his ideas, but also wondering if you might have seen the product in traffic, online or if they have ever been realised at all. Don’t miss the chance to get the first print publication ever by one of Berlin's top notch writers!

100 pages, 22 x 19 cm, screen printed hardcover and additional dust jacket

Paper: Munken Lynx rough

This title presents you with a simple and straightforward introduction to the basics behind graffiti characters. Easy-to-follow instructions of how to draw a classic b-boy or a fly girl, flying eyeballs, angry spray cans, happy Uni-markers and much more. Learn the the basic composition of the characters, and give them emotions, attitude and purpose. This book is the fundamental guide to learning how to master funky cartoonish figures with style and finesse.

56 pages, 20 x 25 cm.